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Today’s News - Thursday, August 6, 2020

EDITOR'S NOTE: Tomorrow and Monday will be no-newsletter days - we'll be back Tuesday, August 11. We've taken a break from COVID-19 news today (alas, more to come next week). In the meantime: Stay well. Stay safe.

●  Kennicott's eloquent take on the "deft and daring" Eisenhower Memorial (Gehry chimes in, too): "It is unlike any other memorial in Washington, or the world - at night, one can still detect some of the melancholy that was subtly woven into his original plan. My guess is that in a few years, it will be primarily regarded with affection as a green island of old-fashioned geniality in a failing city that was once the capital of the free world."

●  Michael Allen, of Sam Fox School of Design, minces no words re: design schools that (and fellow academics who) "offer sweeping public statements" about their solidarity when it comes to improving "societal ills" - but "students are not fooled" and "are reclaiming the political, visionary legacy of design schools in years past."

●  Wainwright sees efforts to reform the planning system in England as more like a "race to the bottom. It aims for beauty, quality and affordability, but it will likely unleash smaller, meaner, less affordable homes - and nothing left in the way to stop them" (heed lessons from overseas).

●  Simon Jenkins explains why "scrapping regulations in England will unleash a wave of urban sprawl, worsen inequality - and cancel the democratic right of people to exercise some control over the character and appearance of their neighborhood - to be smothered by commissars."

●  Glentzer walks us through the "audacious idea" that is Nelson Byrd Woltz's land bridge as it begins construction in Houston's Memorial Park that "will create 25 acres of green space somewhat out of thin air over six lanes of roadway" - Thomas Woltz calls it "the physical manifestation of 'We can do that.'"

●  Gamolina's great Q&A with Mecanoo's Francine Houben re: her design process, urban renewal, what makes a good building, and advice for young architects to follow their values: "It's hard work. If we do it well, we can have an impact in a very positive and important way."

●  Belogolovsky's 2-part Q&A with Canadian architect Douglas Cardinal - Part 1: He talks about "his unique architecture and its origins, his professional path, and key milestones. 'I try to make all my buildings spiritual. All buildings should inspire people.'"

●  Cardinal, Part 2: "A building should be nurturing and protect people within. Architecture should be comforting, protecting, and caring everyone who enters the space" (great pix in both).

●  Tanner Morton profiles the amazing Blanche Lemco van Ginkel, the 2020 RAIC Gold Medalist, ranging from her preliminary design for Expo 67 and the preservation of Old Montreal, to "her foundational research on women architects" - also the first woman to be dean of a North American architecture school, and the first woman to garner the "F" in FRAIC (aussi en français).

●  Call for entries: 2nd Annual C2A / Creative Communication Award (international): to celebrate creativity, excellence, and outstandingly executed ideas across 18 different categories in communication design; open to professionals and students.

●  ICYMI: ANN feature: Samuel G. White: The Legacy of Paul Spencer Byard: The author of "The Architecture of Additions," published 20 years ago, proposed parameters for evaluating additions to historic buildings - more timely than ever considering the proposed Executive Order mandating classical architecture for federal buildings ["architectural pudding" included].

Weekend diversions + Page-turners:

●  Gideon Fink Shapiro takes a deep - and fascinating! - dive into Carlos Mínguez Carrasco's "Kiruna Forever" at ArkDes in Stockholm (and online) that explores the forced relocation of the Swedish city that "is more than a gigantic architectural project" - the show "deserves praise for highlighting" the juxtaposition of "the confidence of master planning with the shakiness of people's reactions - and a hidden optimism."

●  And because it's August 6: Mark Brown parses "I Saw the World End, " a "powerful 10-minute video artwork" by stage designers Es Devlin and Machiko Weston and commissioned by London's Imperial War Museum to mark the 75th anniversary of nuclear bombing of Hiroshima and Nagasaki (powerful, indeed).

●  Nate Berg says "move over HGTV" - now we have the new video streaming service "Shelter" - a "mix of nerdy and beautiful, the service focuses exclusively on architecture and design - and not just trivial home makeovers."

●  Because we miss him so: The Architectural Review releases "7 carefully chosen" essays by Michael Sorkin from its archive, free for registered users: He "did not idealize architecture - yet he was undoubtedly hopeful for what architecture might achieve, particularly in the fight for social justice."

●  Magdalena Milosz parses "Race and Modern Architecture," edited by Cheng, Davis II & Wilson: "It is not easy reading. However, it represents a significant contribution that will aid scholars, educators, practitioners and students in better understanding the role of race in Western architecture and provide a much-needed corrective to the silence surrounding race in architectural education."

●  Despina Stratigakos offers an excerpt from her new book "Hitler's Northern Utopia: Building the New Order in Occupied Norway" that "tells the story of how Nazi architects and planners began to build a Nordic empire in Norway," and includes "extraordinary unpublished diaries, photographs, maps, and newspapers from the period" (some included here).

●  James Tarmy cheers Ian Volner's "Philip Johnson: A Visual Biography" that demonstrates how "he managed to shape America's architecture to an almost unfathomable degree" (and a good companion to Lamster's "The Man in the Glass House").

●  Elizabeth Stamp takes us inside Philip Jodidio's "Zaha Hadid. Complete Works 1979 - Today," updated from the 2009 edition - "there is much more to the late architect's oeuvre than her most famous designs."


  


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