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Today’s News - Thursday, February 6, 2020

EDITOR'S NOTE: Tomorrow and Monday will be no-newsletter days. We'll be back Tuesday, February 11.

●  Pogrebin & Rogers on the "Making Federal Buildings Beautiful Again" draft executive order, "spearheaded" by the National Civic Art Society, which "favors classical design for buildings": architects say it's ""absurd" and "would give Trump broad power to make aesthetic appraisals, something critics say he knows nothing about."

●  Smith talks to SVA's Heller re: the draft executive order: "There is reason for alarm in the rhetoric that the king of tasteless glitz is attempting to impose his personal brand on the physical manifestation of this nation" ("'dictator chic' could be the nation's new official look").

●  The AIA weighs in on the draft order: it "strongly opposes uniform style mandates for federal architecture," while "classicism-loving groups" accuse "the organization of being opposed to 'beauty and tradition.'"

●  In brighter news: The recently launched Living Future Collaborative South Africa supports the Living Building Challenge, and "aims to organize events centered around what it means to go Net Zero Water/Energy, introducing the concepts at schools, and advocating to bring transformation in policy."

●  London's Architectural Association launches the AA Wood Lab, "a research center to transform the future of timber - an exciting step in shedding light on a long-underestimated material" (now accepting applications for research fellows and team members).

●  Gamolina's great Q&A with Kirsten Sibilia, managing principal of Dattner Architects, on "catalyzing change": "I learned then what a small industry we're in, and how, by putting your best foot forward, having integrity, and being open to things, opportunities would come."

●  Stromberg on "the bizarre story behind the newspaper ads criticizing LACMA's expansion plan" with the slogan "saveLACMA FROM TANKING": The ads were not from the non-profit Save LACMA, but placed by Goldin and Giovaninni's Citizens Brigade to Save LACMA ("They've been told repeatedly to cease and desist").

●  Paletta delves into how Bucharest became the "Paris of the East" (it doubles as Paris in movies): "The city has an air of dilapidation that's charming - but somewhat alarming" (now on the World Monuments Fund Watch).

●  Hall has a high time visiting Niemeyer's Brasília at 60 "to reassess" the "sort of" Brazilian Corbu's "incredibly welcoming and open city."

●  Landscape architect Darryl Jones says "be still your hearts" - Larson's "The Devil in the White City" is "finally coming to the silver screen" (with DiCaprio producing and playing "the mysterious murderer-protagonist H.H. Holmes"), and imagines who would play Burnham, Sullivan, and Ferris

Weekend diversions:

●  A good reason to find yourself in Palm Springs next week: it's Modernism Week!

●  If only for a day, don't miss USModernist's annual benefit for the nonprofit at Modernism Week on Feb. 19 - at Wexler's 1954 Kirk and Anne Douglas House (RIP, Kirk).

●  "Critical Care" at Berlin's DAZ offers "architecture for a broken planet" and "proves that architecture and urbanism can bring the planet back to life. The repair of the future has begun."

●  RIBA's "Forest of Fabrication" show "asks if timber is the new concrete," with dRMM projects that demonstrate "novel forms and ways of building achieved with timber which may not be immediately obvious or apparent."

●  Ross-Southall cheers "Charlotte Perriand: Inventing a New World" in Paris - a "magnificent and comprehensive" show that illustrates how "design, architecture, and art were always synchronized in her mind and work."

●  Gormley's "New York Clearing" in NYC's Brooklyn Bridge Park is an 11-mile continuous "line" of square aluminum tubing that loops and coils nearly 50 feet at its tallest point - "part of a global art initiative launched by the Korean boyband BTS."

●  Langjahr cheers Fiona Tan's "Archive / Ruins" at NYC's Peter Freeman gallery: Her "cinematic musings on the material future of architectures lays bare the delicacy of both structure and image in the face of our eternal, ever-evolving, unavoidably-mediated future."


  


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