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Today’s News - Tuesday, February 5, 2019

EDITOR'S NOTE: It's the Lunar New Year: Happy Year of the Pig! "A year of fortune and luck - an auspicious year because the Pig attracts success in all the spheres of life" (according to TheChineseZodiac.org).

●  Kamin gives us the skinny on the third Chicago Architecture Biennial, launching in September: It "promises to avoid 'Archi-babble.'" Themed "...and other such stories," it "promises something more provocative" (participants to be announced in March).

●  Biron parses new research that warns "cities need to grow up - not out - to survive - cities are using land inefficiently."

●  Wainwright takes a deep (and we mean deep!) dive into NYC's new "super-tall, super-skinny 'pencil towers'" for the super-rich. "They stand like naked elevator shafts awaiting their floors. Like leggy plants given too much fertilizer, these buildings are a symptom of a city irrigated with too much money."

●  Not to be outdone, the latest super-tall tower to rise in Dubai is the Burj Jumeira - its most distinctive feature: the base is "designed in the outline of Dubai ruler Sheikh Mohammed bin Rashid's thumbprint" (according to reports, the architect has not been named, but construction "will commence immediately").

●  Reporters went to Seattle to find out how Amazon HQ2 might change Washington, DC - some Seattlites "warn the Amazon effect isn't always a good one."

●  A look at how Helsinki's "groundbreaking" program "Housing First" has almost eradicated rough sleeping - "tackling homelessness is not only a moral obligation but may also save money in the long-run."

●  Perhaps London should take a page from Helsinki's book, as Bacchi reports: "Rough sleeping falls in England - but 'damning' rise in London. Despite the 2% fall nationwide, rough sleeping was still 165% higher than in 2010" (yikes!).

●  Authors of "Making Dystopia" & "Raw Concrete: The Beauty of Brutalism" fame duke it out over the question: "Has modern architecture ruined Britain?" ("monosyllabic grunts" and "unhealthy pleasures of 'Make Architecture Great Again rage" included - h/t to Brussat!).

●  Salingaros explains "how beauty, through mathematics, can save the world. Today's architects don't apply mathematical rules for building beauty because there is no market for it" (but he finds hope in smaller firms "being influenced by emotions, empathy, and feelings").

●  Campbell cheers Hopkins & Bruner/Cott's transformation of Josep Lluis Sert's Holyoke Center: Harvard "reimagines a prominent Brutalist building to create a public front door. This is architecture in service to social goals. That's something not so often seen today."

●  Saffron considers Philly's 1968 International House, a "Brutalist style building designed to promote international understanding. Whatever their flaws - and there are plenty - Brutalist buildings really were part of an effort to change the world."

●  Morgan minces no words about what he thinks of two new hotels in Providence, Rhode Island: They are "characterless bits of suburban blandness," that "remind us that creating a livable city requires more than real estate parametrics."

●  On a brighter note (for some at least), Dan Kiley's plaza for Weese's Marcus Center for the Performing Arts in Milwaukee gets temporary historic designation as the city's Historic Preservation Commission considers permanent landmark protection.

●  On a brighter note (for all of us): a round-up of 8 examples of landscape architecture projects "worth celebrating": "While landscape designers are often overlooked by the media, their work holds as much transformative power as that of architects."

●  SO-IL partner Papageorgiou departs to start PILA, an Athens- and New York-based architecture firm.

●  Architectural photographer Alan Karchmer is giving his entire photography collection to the National Building Museum (lucky them - lucky us!).

Three we couldn't resist:

●  One we couldn't believe: A video of "incredible homes of the future that can self-deploy and build themselves in less than 10 minutes, transforming from a box into a building eight to ten times its original size" (wow!).

●  Dickinson is not down with the "Zaha Hadid Activewear" line: It "has nothing to do with who it's inspired by. These things will be part of her legacy (assuming sales are brisk), for good or ill. I think it's called irony. And marketing."

●  Bertoli, on the other hand, is left "breathless" by the Zaha Line. "Sporting underwear has never been so fit."


  

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