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Today’s News - Thursday, January 31, 2019

EDITOR'S NOTE: Tomorrow and Monday will be no-newsletter days. We'll be back Tuesday, February 5.

●  Kimmelman delves into why the battle to designate NYC's beloved Strand bookstore a landmark "is about more than a building" - it "points to a new way to think about saving the city's cultural heritage. Call this the next frontier for preservation" (perhaps San Francisco can show NYC the way).

●  King x 2: He has high hopes for a proposed "cluster of towers" (two already rising) on a 14-square-block "patchy void" in San Francisco, but "the simple truth is that it will take more than big buildings to improve the quality of life in this busy but problematic civic crossroads," and we should be "wary of the notion that quantity and quality are synonymous" (and wary of ye olde "bait-and-switch").

●  He has high hopes for a team of the four previously competing teams vying to restore the Presidio's Fort Scott - "the combined team might be better able to take on the estimated $200 million-plus cost of restoring 22 historic buildings and the distinctive landscape that surrounds them" (the likes of Elon Musk and WeWork among them - alas, no architects/landscape architects named).

●  Green cheers the three shortlisted landscape architects from Paris, Boston, and Minneapolis "taking the lead" in vying to design Detroit's new Cultural District (proposals on view at the Detroit Institute of Arts/DIA until April 1).

●  Paletta takes a deep - and fascinating - dive into Niemeyer's "ability to land big works in his home country before and after his exile," and how it "speaks to Brazil's enthusiasm for civic gigantism and Modernism. While Brazil's near future does not look promising, inspiration can still be drawn from the democratic spirit of his works."

●  Ikenson talks to George Smart about how USModernist.org and its "priceless" and "largest [2.5 million downloadable pages!] open digital archive of 20th century U.S. architecture magazines" came to be (full disclosure: ArchNewsNow.com is a media sponsor - and part of the archive).

●  RIBA launches the Neave Brown Award for Housing, in honor of the Royal Gold Medal-winning "socially-motivated, modernist architect, best known for designing a series of celebrated London housing estates," who passed away last year (deadline: February 21).

●  Eyefuls of the nine winners of the AIA 2019 Institute Honor Awards for Architecture (some surprises - great presentation).

●  ICYMI: ANN feature: rise in the city 2018 Update: Student designs for affordable housing in Maseru, Lesotho, Southern Africa, are in and - hot-off-the-press - winning designs will be prototyped! (A few prized blocks needing sponsors remain.)

Weekend diversions:

●  London's Surface Design Show, focused on the public realm and workplace, returns next Tuesday (includes the code for VIP access).

●  A great reason to be in Southern California this weekend: The 14th Annual Museums Free-for-All, which includes over 40 museums that will open their doors free of charge.

●  Miranda cheers "Boomtowns: How Photography Shapes Los Angeles and San Francisco," on view in San Francisco: "A century's worth of urban photography provides an excellent look back at a time in which both cities are looking forward - contending with growing pains related to infrastructure, equity, affordability and homelessness."

●  "Rafael Lozano-Hemmer: Pulse" at the Hirshhorn Museum in Washington, DC, "uses biometrics to make breathtaking spectacle" ("There is absolutely no tracking of an individual," sayeth the artist).

●  Ives brings us eyefuls of "KnitCandela," part of a Hadid retrospective in Mexico City: The "13-foot installation explores a new high-tech approach to casting concrete - a breakthrough for casting geometries that typically require elaborate, expensive formworks" (fab photos!).

Page-turners:

●  Wise cheers Lamster's "The Man in the Glass House: Philip Johnson, Architect of the Modern Century" that "passes tougher judgment" than the Schulze bio of nearly 25 years ago - this "thoroughly researched and highly readable volume vividly captures the essence of a complex and disturbing character."

●  Pedersen talks to Speck re: "Walkable City Rules: 101 Steps to Making Better Places": "His not-so-secret weapon is his ability to make urban planning accessible. 'Frankly, the most compelling arguments are the most entertaining arguments - people's minds are never as open as when their mouths are open, laughing.'"

●  An excerpt from Danley's "A Neighborhood Politics of Last Resort: Post-Katrina New Orleans and the Right to the City" considers: "Can NIMBYs fight for justice?"

●  Betsky x 2: Atwood's "Not Interesting: On the Limits of Criticism in Architecture" is "both brilliant and (purposefully) confusing. Against the Ritalin-like-focused constructs of most architecture criticism, he instead proposes a meandering miasma of observations and hints."

●  He finds "a wide variety of weirdness, but one that remains based on form and formalism" in "Possible Mediums" - "the question that haunts the book, though, is: To what end?"

●  Birnbaum and Craver's "Shaping the Postwar Landscape" is "a rewarding read" about the individuals who "guided and informed landscape architecture during an especially exciting time."

●  Brussat reviews Scruton's review of Stevens Curl's "Making Dystopia": "Nobody has done a better job of explaining the persistence of modern architecture," than Scruton - while other reviewers "have deployed falsehood and fake outrage as their chief critical tools."


  

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