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Today’s News - Thursday, November 15, 2018

EDITOR'S NOTE: We're taking an extended (and much-needed) Thanksgiving Day break to celebrate and give thanks for all that is good in life (including you, dear readers). We'll be back Tuesday, November 27.

●  File under: Why are we not surprised: Schumacher heads to High Court in a "bid to remove other executors of Zaha Hadid's will [reportedly £70 million]. It is understood he has become increasingly frustrated with how the executors have taken an interest in the running of the practice" (not just Hadid's foundation).

●  Carpo makes a (convincing) case for why "we can't go on teaching the same history of architecture as before - it grieves me very much to see so many students today waste so much time reinventing the wheel at every turn, due to their sheer ignorance of precedent."

●  Kennicott gives thumbs-up to SHoP's Midtown Center that replaced the Washington Post's old HQ, which "was as ugly as a midcentury concrete box could be" - the new building "is a study in urban jazz" that "offers a study in architectural good citizenship" (photo hardly does it justice).

●  Davidson isn't at all diplomatic in his take on Piano's Forum (and two other buildings) on Columbia University's Manhattanville campus: "Piano's solution is to answer a set of radical challenges with deeply conventional architecture and then claim that it's never been seen before. Good architects get clients to swallow their bullshit; great architects believe it themselves" (ouch!).

●  Eyefuls of Zaha Hadid Architects' 460-hectare smart city outside Moscow - along with Pride Architects, "it consulted studies about happiness - concluding that building communities, access to nature and environmentally friendly design were key factors" (how original).

●  Meanwhile, Studio MDA's one-story gallery for Paul Kasmin "is a refined respite among its glitzy neighbors" along NYC's High Line (including Hadid's 520 West 28th Street).

●  Sugimoto and Sakakida have helped the Hirshhorn Museum, "perhaps the most oppressive, least welcoming of any Smithsonian Institution museum," rediscover "its architectural bones" with a "stunning transformation" of the "concrete doughnut on stilts. Then the artists got to have some fun."

●  The 2018 ARCHITECT 50 list is "a nice mix of small boutique firms and giant multinationals, repeat winners and new practices" in three categories: Business, Sustainability, and Design (topped by Hastings, The Miller Hull Partnership, and Lorcan O'Herlihy, respectively).

●  Gerfen x 2: She parses the current and future state of sustainable design, followed by great profiles of the 2018 AIA COTE Top Ten Awards winners (written by some of our faves).

●  She outlines new resources and tools AIA COTE will soon release "to help firms of any size or discipline better understand and achieve sustainable goals in their projects."

●  Speaking of green: the USGBC is launching LEED Zero "to address Net Zero carbon operations and resources" in LEED projects - the next phase will be LEED Positive, "where buildings are actually generating more energy than they use, and removing more carbon than they produce."

●  A good reason to be in Sacramento at the end of the month: 2018 Meeting of the Minds 12th Annual Summit - an "intensive immersion in thought leadership and cross-sector partnership building.

●  Or, head to Austin for the 3rd annual HIVE Conference: "Reignite the Dream" that will address "the structural and technological factors that have led to the current affordability crisis in the nation's housing market."

●  One we couldn't resist: O'Sullivan considers a "giant corkscrew of metal" that is the 24-step section of the Eiffel Tower, up for auction in Paris later this month; starting bid: €40,000, though will probably go for much more: "In 2016, a collector bought a section of the staircase for over $550,000 - and that was for a piffling 14-step segment."

Weekend diversions:

●  Freeman takes a deep (very deep) and fascinating dive into MoMA's "Toward a Concrete Utopia: Architecture in Yugoslavia, 1948-1980," which "documents an extraordinary architectural legacy that has been neglected by mainstream historians. The exceptional architects clearly deserve more recognition" (so much more than just a review - a must read!).

●  Moore cheers "Home Futures" - a" lively, illuminating, sometimes enthralling journey through a century's-worth of aspiration and fantasy, presented in a dreamy, translucent installation by SO-IL" at London's Design Museum (another great read!).

Page-turners:

●  Lamster offers "what he considers to be Philip Johnson's most successful buildings, and the ones that haven't exactly held up under the 21st century's exacting lens" that are featured in "The Man in the Glass House."

●  YouBeen Kim parses the "pastel Pyongyang" presented in Wainwright's "Inside North Korea" that "takes us on an extraordinary journey" and offers "a window into the architectural aspirations of this veiled world" ("shaped by Moscow-trained architect").

●  Fazzare also cheers Wainwright's exploration of the "fascinating stage set" that is Pyongyang and "its socialist-fairy-tale designs."

●  ArchPaper offers a round-up of "a crop of new books hitting the shelves with fall reading that are guaranteed to keep readers warm for the winter."

●  Metropolis editors pick their faves - with 27 titles, there's something for everyone.


  


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